A) Go through my repertoire with the music in hand and try to associate chord shapes with chord quality.
B) Build repertoire paying attention to the association between chord shape and quality.
C) Consider going through the forms in the order as presented in "The Assembly Line."
D) Slowly work on The Formula!
2. IMPROVISATION
A) Just continue to work on "The Herb Ellis Jazz Guitar Method: All the Shapes You Are."
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